The function of the language of art in the elements of mystical khamriyeh (Case study: Saqinameh of Sayyed Amir Mahmoud Anwar and Ibn Farid's Khamriyeh)

For many centuries, mystical literature, as a manifestation of verbal art, has been a source of inspiration for the man in the days of deprivation due to his separation from his Lord and led him to the valley of true love and devotion. This type of literature has led many poets to be inspired by this heritage due to its vast capacity to express symbolic and mysterious facts and as a rope, it has linked the former nobles with the future contemplators. This paper aims to study the function of the elements of theosophical khamriyeh in the ode "Spirit wine with the song of love" composed by Dr. Sayyed Amir Mahmoud Anwar, which has been composed in the description and response to Ibn Farez' khamriyeh; to illustrate how these elements are represented and described in this work. The research method is descriptive-analytical and the findings indicate that the poet, while translating and accurately describing the Khamriyeh of Ibn Farid and explaining the mystical concepts in this poem, With the language of art, he has praised the family of infallibility and purity (peace be upon them), and attributed the description of some of the elements of the mystical wine, such as the Cup-bearer, Cup, Wine and its descriptions to them and their loyal companions, thus he used these elements to express his religious intentions.