Explaining the profound perception and allegorical creation in Islamic architecture (truth-centered), relying on the architectural soul (Based on the views of Mulla Sadra)

Recognizing the architectural works without the knowledge of the creator's soul is a subject that is contemplated today in the field of pathology of contemporary architecture. Since architecture is a phenomenon that is the creator and audience of a human being, it is important to address the issue of perception of the soul. Today, the confusion of architectural types, regardless of the self-examination of the creator of the work, allows any reading to be considered for any work, while the type of architectural soul based on what kind of epistemology can be based on the truth of whether the effect is centered or not. . Every work of thought is obtained, and any thought influenced by the perception of the soul toward the three subjects of man, the universe and God. Therefore, a work can be truth-centered, its thought oriented to the right, and then the thought can be right-axis, which is derived from the right perception of the world, man and God. Therefore, the present study is based on the method of documentary studies, analysis Qualitative content for analyzing and judging data extracted from verses, hadiths, and Islamic texts, and relying on Sadri's wisdom, introduces the cause of the truth-centered effects of Islamic architecture on how to perceive the soul of the architect, Creation of a kind of allegory in the soul of the architect has led to the creation of works that have the merit of union with the world. God has made man.