The semiotic analysis of visual forces and language codes in the story of Adam Case study Baqara and Taha Surah

Contemporary semiotic knowledge seeks to study the signs and languages of communication, both verbal and verbal. Visual forces in visual arts are an example of communication languages that are capable of transmitting information that is sometimes out of the question. Certainly, the Holy Qur'an, as the highest written miracle, has, in addition to its linguistic codes, also used some of its visual arts to transmit divine message. Accordingly, the present research tries to examine it as a sign of communication using the descriptive-analytical method and the methodology of semiotics while revising the story of Adam in two surah Baqara and Taha's visual forces and linguistic codes. And to show the role of the stories of the Qur'an as a subjective universe in how to create a visual narrative of a verbal narrative. The study of Quranic data shows that The companions of visual arts can draw from the story of Adam various visual forces such as contrast, evolutionary repetition, angle of view, Kadrage, etc. as non-verbal signs, As well as focusing on the meaningful use of lexicals such as "Hobut= Down", "Naba= News", definitions, etc. as words containing visual forces, ultimately create a dramatic visual narrative from a pure verbal narrative as a raw material of visual arts.