Classification of views on the permissibility of semantic metaphor in the architecture of religious buildings (ornament, nature, etc.)

Document Type : Original Article

Authors
1 lecturer
2 Assistante professor of Architecture, elmo sanaat
Abstract
According to the diversity and contradictions in definition of islamic art and architecture which was expressed by internal and external teoristes, many academic and administrative policies at the national and international level, are non-scholarly. So it is necessary that the approach base on the Global Islamic art scholars̕ veiws in Shiie . The aim of resolving the conflict is to Select the correct option and more accurate choice in the field of art and architecture.In this paper, we try to offer the most comprehensive definition of Islamic art and architecture, by classifiying relevant definitions of typology. Muslim teoristes were chosen among the Shiie Jurisprudent. we attempt to show, Despite the different and sometimes conflicting attitudes, There are some confirmed theory in Shiie Jurisprudence.
The research classify ideas in four categories, and try to show that Imam Khomeini’s veiw (which can be considered as theoretical foundations of Islamic art)is more comprehensive than others.
The main achievement of hierarchical theory, is possibility to collect various theories of Islamic architecture in subjects of religious architecture. According to this view each issue and human needs in architecture are related to different level of metaphoric. this resolution makes us not to judge according to subjective analogies, and it help us to design Islamic architecture closer to the truth and harmonize to the knowledge level of the audience in each category .this theory is underlying three Islamic Architecture: metaphorical Islamic architecture, sacrosanct Islamic architecture ,metaphorical- sacrosanct shape

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