Surveying and Criticizing the Viewpoint of Traditionalists on Islamic Art

Document Type : Original Article

Author
Assistant Professor at the University of Religions and Denominations.
Abstract
Traditionalists maintain that Islamic art possesses unity and coherence, incorporating diverse—and at times contradictory—elements from other civilizations, yet retains a distinct and unified identity. Islamic art not only originates from the artist's genius, personal capabilities, and technical skill—which manifest differently across various peoples—but also springs from the artist's mystical, metaphysical knowledge and spirit. The creation of an artwork by the traditional artist, particularly in its most exalted form, namely sacred art, constitutes a manifestation of the truths of wisdom (ḥikmah) and mystical knowledge (ma'rifah).
In this article, aside from acknowledging the intellectual coherence and systematic strengths of Traditionalist thought in the religious and artistic domains, we have identified and compiled seven instances of inconsistencies and contradictions in their views on Islamic art—many of which are foundational in nature. They have, of course, attempted to respond to some of these objections. This article endeavors to present a collection of critiques, along with their responses where available, and to offer a final assessment.
Keywords

-         Burckhardt, Titus, (2001), Sacred Art in East and West: Its Principles and Methods, Translated by Lord Northbourne, United States, World Wisdom.
-         Guenon, Rene, (2001), The Crisis of the Modern World, , Translated by Marco Pallis & Arthur Osborne & Richard Nicholson,New York, Sophia Perennis.
-         Leaman, Oliver, (2004), Islamic Aesthetics, Edinburgh, Edinburgh University Press.
-         Nasr, S.H . (1999). "The Spiritual Significance of Islamic Art". Sophia. No2, pp 141-153.