Reviewing the music of Bijan Elahi's poem with Martin Heidegger's comments

Poetry has a fundamental relationship with truth and this relationship requires certain characteristics. Lack of simulation-oriented is one of these features; In the sense that since the truth is manifested in the poem, it is not something that has been realized in advance by the poet. Therefore, poetry is an event for the poet himself; Not that the poem is a simile of pre-realized events. As a result, the music of poetry cannot be limited in advance to balance or weightlessness. According to Heidegger's view on poetry and its relationship with truth, this work tries to reflect on a basis for the music of poetry and to study Bijan Elahi's view, translation and poetry according to this basis.Bijan Elahi is known as the poet of "other poetry". The other poem is the name of a movement in the 1940s in which poets such as Hoshang Azadivar, Hoshang Chalangi, Bahram Ardabili, Firouz Naji, Mahmoud Shujaei, etc. are known as poets of this movement. This research, with a descriptive-analytical method and with library sources, deals with Bijan Elahi's musical reading of Hafez's poetry, the music of his translated poems, and his own poem published in the book "Seeing", and based on the relationship between poetry and truth, these works studies.