Explaining the aesthetic aspects of the rules of liquid form in the art of calligraphy (with reference to calligraphy treatises from the 6th to the 11th century AH)

The art of calligraphy depends on aesthetic components that have changed over a long history, but these components are mixed with unstable formal rules. Calligraphy is a complex skill based on the rules of writing geometry, in which the importance of text and a comprehensive understanding of writing, the capabilities of the tool and the writing platform are discussed. Paying attention to each of these factors leads to the identification of a neglected aspect called fluid rules. This article takes a different look at identifying the fluidity of these rules to discover its hidden capabilities and capacities in the ranks of seeing, reading, understanding, enjoying with a special taste along with a new narrative. to be; So far, we have been faced with a kind of homogenization in the rules and principles in the evaluation of the works, and most of them have introduced the maximum observance of morphological rules along with a combination of visual beauty in the writing. In this article, the author has investigated the variety of shapes of lines from the perspective of form, character, practical and practical features, using descriptive-analytical method and using calligraphy letters and library sources. The result of this research is to know the formal capacities of lines and their capabilities in calligraphy, which can lead to the development of calligraphers and letter designers in renewing the dynamics of lines and producing mirror lines and blocking the flow of lines and fonts. destroy the new