The right to freedom of artistic expression, as significantly mentioned in Article 27 of the Universal Declaration of Human Rights, is closely intertwined with the right to engage in cultural life and the right to enjoy art. Thus, this inquiry aims to investigate the intricate relationship between art and freedom in contemporary society, highlighting the inherent limitations and unattainability of absolute freedom in the ideal of cinema. Contemporary societies often regard cinematic creation as a unique form of human activity and artistic expression, deserving of either more conservative or tolerant treatment. However, when subjected to legal scrutiny and the real-world experiences, art loses its privileged status. In other words, different countries may impose restrictions on the freedom of expression for filmmakers under specific circumstances. This research uses descriptive-analytical method and is based on library studies, which examines instances where the freedom of expression for filmmakers has been limited; it will consider national laws, international regulations, the judicial practices of national courts, and decisions made by the European Court of Human Rights. In conclusion, governments treat the freedom of expression of filmmakers, like any other freedoms, subjecting to special limitations such as security concerns, public morality, and privacy. At times, these restrictions and conditions imposed on the freedom of filmmakers can be even more stringent compared to other fundamental rights.
Theology of Art