Analysis of the Musical Structure of Ashura in Minab and Muscat

The study of folk music has recently gained attention among researchers in the field of music. Also, religious and ritual events, over the time, hold a significant place within this artistic domain. To the extent that they have served various purposes and functions. Ashura music, an integral part of religious music, has been performed in different reigns, including Minab and Muscat, employing a variety of instruments. The progress of this genre of music relies on several factors, which are meticulously examined and evaluated in this research from a structural perspective. From an ethnographic perspective, the combination of sadness with music is significant. Therefore, considering the significance of this ancient art form, the scope of ritual music and instrumentology is also analyzed and described. The findings of this research reveal that the structural analysis of religious music in Minab and Muscat, two geographically similar locations with distinct political approaches, has been specifically explored during Ashura. Furthermore, the study examines the differences and similarities in meanings and concepts during the performance. The current research adopts a descriptive-analytical approach, utilizing both library and field methods. Extensive analysis of numerous books and reference sources has been conducted to understand the structure of this type of music. Additionally, interviews and direct observations related to the topic have been incorporated to enhance the research.