Explanation of Motion Perception by Using Ibn Sina's Perception Theory

Document Type : Original Article

Authors
1 University of Religions and Denominations
2 Professor, Shahid Beheshti University
3 Faculty member, Islamic School of Art
Abstract
The study on problem of motion in the film or motion picture and its perception, is one of the important issue in the context of film theory. Among film theories, a third kind of film theory has grown up: cognitive film theory that deals with issues like this. The prevailing view in film theory is that motion in the film is perceptual illusion. In this research, using by the library collection, and qualitative analysis method, I present a formulation for motion in the film by using Ibn Sina's philosophy (especially his perception theory) as philosophical base. The results of this study shows that Currie's formulation is for rejection of illusion and is not a positive formulation. But I show that in the context of Ibn Sina's philosophy, there can be a positive formulation for motion in the film. Also, this research shows that that the Islamic philosophy field has the ability of philosophical discussion about film

Keywords


 
Arenheim, Rudolf (1974), Art and Visual Perception: A Psychology of the Creative Eye, Berkeley: University of California Press.
Ben-Shaul, Nitzan (2007), Film: The Key Concepts, Oxford: Berg.
Currie, Gregory (1995), Image and Mind: Film, Philosophy and Cognitive Science, New York: Cambridge University Press.
Currie, Gregory (2004), “Cognitivism”, A Companion to Film Theory, eds. Toby Miller and Robert Stam, Malden: Blackwell.
Munsterberg, Hugo (1992), “The Means of the Photoplay”, Film Theory and Criticism, eds. Gerald Mast et al., 4th edition, New York: Oxford University Press.
Reynolds, Daniel (2014), “Cognitive Film Theory”, The Routledge Encyclopedia of Film Theory, eds. Edward Branigan and Warren Buckland, London: Routledge.
Rushton, Richard and Bettinson, Gary (2010), What is Film Theory?: An Introduction to Contemporary Debates, Berkshire: Open University Press.
Stam, Robert (2000), Film Theory: An Introduction, Malden: Blackwell.
Walton, Kendall (1984), “Transparent Pictures: On the Nature of Photographic Realism”, Critical Inquiry, no.11.